Claire Denis’ parents would have preferred a different life for her than a career in cinema. As Chocolat arrives on Blu-ray, she sat down with us for a long chat about her childhood in Africa and how ...

Nicolas Cage stars as an unnamed, desperate Australian surfer who is humiliated by a hostile gang of locals in Lorcan Finnegan’s lightly psychedelic B-movie thriller.

Receiving huge acclaim after its first screening, Payal Kapadia’s film is the first Indian feature to be selected in Official Competition at Cannes in three decades.

Disaster and dystopian technology haunt The Beast, starring Léa Seydoux and George MacKay as ill-fated lovers in three versions of the past and future. Bertrand Bonello tells us about his Lynchian, ...

It’s a murder mystery that’s elevated both by its erudite script and by the unusually profound things it has to say about the nature of desire. Dana Andrews is the police detective assigned to ...

Artist and filmmaker Stephen Sutcliffe tells us how discovering Lindsay Anderson’s collection of TV video recordings helped inspire his upcoming Experimenta Mixtape at BFI Southbank.

Although India is the world’s biggest film producer, All We Imagine as Light is the first Indian film to compete for the Palme d’Or in 30 years. What explains this blindspot?

British lives, caught on film and collected online. Discover previously unseen film capturing 120 years of Britain on film. I’ve never seen my family on film before so it was a wonderful surprise to ...

This fund is for filmmaking teams with directors based in England. It supports the production costs of standalone fiction films. These can be live action, animation or immersive/VR and must be no more ...

Set many generations after the life of prime ape Caesar, this continuation of the Planet of the Apes series is a paradoxical epic invested with humour and horror in equal measure.

George Miller remains a master craftsman of bloody petrol-punk visuals, but this mythology-stuffed Furiosa backstory can’t match the momentum of Fury Road.

Miguel Gomes elegantly bridges 100 years of film history with an experimental, time-bending colonial-era story of a British civil servant trying to outrun his persistent fiancé.