Bohuslav Martinů’s 1928 work is a strip-lighted nightmare whirlwind, while Harbison’s is highly stylised post-tonal sitcom ...

Young opera singers shine as Bohuslav Martinu and John Harbison come together in an oddball double bill at the Linbury ...

Rule 12. In simple, unpremeditated recontres with the smallsword, or couteau de chasse, the rule is -- first draw, first sheath, unless blood is drawn; then both sheath, and proceed to investigation.

The real story showcases her complex relationship with her father, General Du Couteau, and her relentless pursuit of ...

A girl kidnapped by criminals turns out to be less innocent than she seems in a new horror flick, while the queen of stadium ...

Australian Prime Minister Anthony Albanese on Tuesday, expressed his gratitude to Guerot and praised him for his ...

Challenge yourself with today’s puzzles. Monteverdi may have “straddled the Renaissance and baroque”, as this concert’s ...

Rule 12. In simple, unpremeditated recontres with the smallsword, or couteau de chasse, the rule is -- first draw, first sheath, unless blood is drawn; then both sheath, and proceed to investigation.

Maybe because of the piece’s completely absurd nature, Martinů produces a brilliantly entertaining score that draws heavily on jazz or popular song and dance idioms of the 1920s; here it is ...

Jette Parker Artists and The Royal Opera present a double bill of Bohuslav Martinů’s surreal Larmes de couteau, written in ...

Larmes de Couteau - a coherent experience with some fine singing from these young guns - this quirky double bill is ...