Beginning a two-week residency, Esa-Pekka Salonen juxtaposed a work of his own with selections from two composers with which ...

With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the ...

What started off last year as a workshop has blossomed into an installation and, in partnership with Stone Nest and the ...

Alexandre Kantorow dazzles in Liszt’s Piano Concerto no. 2, against Bruckner’s mighty, unfinished Ninth Symphony. Manfred ...

Fabien Gabel showcases his French music bona fides, while Katia and Marielle Labèque offer a trademark Philip Glass concerto ...

In the title role of Canadian Opera Company's Medea, soprano Sondra Radvanovsky offers the vocal and dramatic goods required ...

In March, 15 months after they faced a storm of protest after cuts to UK opera, Arts Council England published Let’s Create: ...

Asmik Grigorian's astonishing acting and subtle vocalism make for a promising Met debut in this revival of Anthony ...

Barrie Kosky brings his trio of Puccini productions to a close with another triptych: Il trittico in a triumphant staging.

The last time she had visited Sydney, some fifteen years ago, she took her bows (pun intended) as the celebrated soloist in ...

As a primer to serious Russian orchestral music, this concert by the Singapore Symphony Orchestra led by music director Hans Graf could not have served as a better introduction. Tchaikovsky is sine ...

Sheku Kanneh-Mason proved his mettle in Shostakovich's difficult First Cello Concerto; Esa-Pekka Salonen galvanises the NY ...